As a photographer of the immigrant experience, the yearning for return to a homeland has been a central theme of my research. In this paper, I explore both my personal and collective experience of displacement and uprooting (Not Paved with Gold), the annual return to Canada of temporary migrant farm workers from Mexico and the Caribbean (Harvest Pilgrims), and the metaphorical return of Italian immigrants to a spiritual homeland through the annual re-enactment of the Via Crucis on the streets of Toronto’s Little Italy (Ritual). The paper poses the question of whether the immigrant, having abandoned his homeland, can truly return to it.

Please see 'Notes' below for any suggested/official citation information added by the author(s) of this work. Otherwise, you can cite the HSS Commons instance of this publication as follows:

• Pietropaolo, V., (2026), "Photography and the Concept of Return: A Personal View", HSSCommons: (DOI: )

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1. farm workers
2. homeland
3. immigrant experience
4. Italian Canadiana
5. return
6. uprooting
7. Via Crucis

Original publication: Pietropaolo, Vincenzo. "Photography and the Concept of Return: A Personal View." Italian Canadiana 35: 2021. 307-320. DOI: 10.33137/ic.v35i0.37235. This material has been re-published in an unmodified form on the Canadian HSS Commons with the permission of Iter Canada / Italian Canadiana. Copyright © the author(s). Their work is distributed by Italian Canadiana under a Creative Commons Attribution-NonCommercial 4.0 International License. For details, see https://creativecommons.org/licenses/.