“Life is for the living”: Surveillance and gender freedom in the refugee camp’s non-place in Sulaiman Addonia’s Silence Is My Mother Tongue

By Parham Aledavood, Elisabeth Bekers

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Version 1.0 - published on 08 Jul 2026 doi:10.1080/17449855.2024.2418846 - cite this

Licensed under HSS Commons perpetual, non-exclusive international license 1.0 according to these terms

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