“Life is for the living”: Surveillance and gender freedom in the refugee camp’s non-place in Sulaiman Addonia’s Silence Is My Mother Tongue

By Parham Aledavood, Elisabeth Bekers

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Version 1.0 - published on 08 Jul 2026 doi:10.1080/17449855.2024.2418846 - cite this

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  1. gender
  2. global migration
  3. necropolitics
  4. queer literature
  5. refugee fiction

Notes

Original publication source: Journal of Postcolonial Writing (https://doi.org/10.1080/17449855.2024.2418846)

Citation: Aledavood, P., & Bekers, E. (2024). “Life is for the living”: Surveillance and gender freedom in the refugee camp’s non-place in Sulaiman Addonia’s Silence Is My Mother Tongue. Journal of Postcolonial Writing, 60(5), 591–603.

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